Originally posted by deanallison:[..]
Of course it ‘technically’ was, that’s why it’s been listed as one but this is not reality. It’s a marketing thing to sound good, ‘U2’s sold out 2019 JT tour’ when it wasn’t sold out. It is what it is, other artists do it so u2 aren’t any worse than anyone else but if you attended a concert with someone and they pointed out an empty seat and you said ‘well technically it isn’t empty’ they’re going to look at you funny. Anyway the numbers are good 69k is good going but the 2nd show wasn’t sold out.
Originally posted by celtic:One must consider that due to the JT stage and sound system the 270 configuration capacities of the stadiums on this tour are slightly lower than usual (for example just look at the numbers for stadiums on the European leg of the JT tour and we all agree that they don't have problems selling out the full capacity of the stadiums in Europe).
Another factor that determines the capacity for the venue is the general fire regulations and security policy of the venue or/and state regulations regarding the full capacity of the stadiums and especially the number of GA sold for the specific date.
Of course to state that Auckland2 was a sellout is ridiculous. It was a tehnical sellout. But that's just the way the industry works these days. From a reliable source I can tell you that the 1st night was set at roughly 37.000, so the 2nd one did around 32-33k.
Numbers for Brisbane and Melbourne are great btw.
As expected they had problems in Adelaide, but in general I think the sales are ok for this leg, especially since the whole LN /Ticketbastard sales model has changed a lot and the days of instant sellouts or more or less history...
Originally posted by melon51:[..]
I get all this, and it probably is driven by marketing/business... How come acts like Guns & Roses, Stones, Springsteen have lots of not-sould-out shows according to the same Boxoffice reports?
Do the others have a different promotor you think?
Originally posted by celtic:One must consider that due to the JT stage and sound system the 270 configuration capacities of the stadiums on this tour are slightly lower than usual (for example just look at the numbers for stadiums on the European leg of the JT tour and we all agree that they don't have problems selling out the full capacity of the stadiums in Europe).
Another factor that determines the capacity for the venue is the general fire regulations and security policy of the venue or/and state regulations regarding the full capacity of the stadiums and especially the number of GA sold for the specific date.
Of course to state that Auckland2 was a sellout is ridiculous. It was a tehnical sellout. But that's just the way the industry works these days. From a reliable source I can tell you that the 1st night was set at roughly 37.000, so the 2nd one did around 32-33k.
Numbers for Brisbane and Melbourne are great btw.
As expected they had problems in Adelaide, but in general I think the sales are ok for this leg, especially since the whole LN /Ticketbastard sales model has changed a lot and the days of instant sellouts are more or less history...
Originally posted by deanallison:[..]
Well to touch on what someone said a few comments ago maybe these artists have been bold in putting tickets on sale for the entire venue where u2 keep back some. If all available tickets sell u2 can release the held back tickets at a slow rate. I think as long as 90% of available tickets sell they can label it a sell out. So lets say the venue holds 40k but they only make 35k available for night 2 then they only need to sell 31.5k for a ‘technical’ Sell out. If they sold all 35k they could start putting more tickets up for sale. Only a theory of course I have no evidence to back this up.
Originally posted by melon51:[..]
I like this discussion by the way!
On your point.. Why would only U2 and not the other bands do exactly the same? For ex. Springsteen reported 33.700 out of 34k somewhere.
I am pretty sure (and I think that's where we agree) that U2 man. does some smart manipulation here to make the numbers look more convincing. They might also trick around with putting up/taking seats very quickly when demand guides them. But 90%?.. these systems are all connected, so everything put up for sale must have been "sold"actually.
But still ...that's hardly marketing "rocket science" these days, wondering ?
Originally posted by deanallison:[..]
Well to touch on what someone said a few comments ago maybe these artists have been bold in putting tickets on sale for the entire venue where u2 keep back some. If all available tickets sell u2 can release the held back tickets at a slow rate. I think as long as 90% of available tickets sell they can label it a sell out. So lets say the venue holds 40k but they only make 35k available for night 2 then they only need to sell 31.5k for a ‘technical’ Sell out. If they sold all 35k they could start putting more tickets up for sale. Only a theory of course I have no evidence to back this up.
Originally posted by deanallison:It sounds like the strategy of convincing venues certain seats shouldn’t be sold and having giveaways means the capacity can be set at near enough whatever the band want it to be. Obviously from a financial point of view it’s never ideal to have to do these things but from the ‘sell out’ marketing point of view it’s an easy tactic. If they played in a 60k capacity venue and only sold 40k what’s stopping them giving away the majority of the 20k left therefore reducing the listed capacity by the same amount? Or am I understanding the give away thing wrong?