1. U2
    Bell Centre
    Montréal, Canada
    June 13, 2015

    "PUNK ROCK PARTY"



    Recorded by mysteriousdays
    Mixed & mastered by BIGGIRL

    LINEAGE: [iPhone?] > mixlr > TotalRecorder
    (FLAC@16/48kHz) > WAV (16/48) > Goldwave
    (Stereo-processor) > PristineSounds (EQ &
    Volume adjustment - all manually) > EDIT &
    track split > Frontend (FLAC) > Foobar (tags)
    > FRE:AC (mp3@256kb/s - still 16/48khz)

    DOWNLOAD THERE (where you scroll down to the bottom of the page )

    Track list:

    01-[intro: People Have The Power]
    02-The Miracle (Of Joey Ramone)
    03-Out Of Control
    04-Vertigo
    05-I Will Follow
    06-[dedication]
    07-Iris (Hold Me Close)
    08-Cedarwood Road
    09-Song For Someone
    10-Sunday Bloody Sunday
    11-Raised By Wolves
    12-Until The End Of The World
    13-[intermission: The Wanderer]
    14-Invisible
    15-Even Better Than The Real Thing
    16-Mysterious Ways
    17-[meercat-thing]
    18-Angel Of Harlem
    19-Lucifer’s Hands
    20-Every Breaking Wave
    21-Bullet The Blue Sky
    22-The Hands That Built America [excerpt]
    23-Pride (In The Name Of Love)
    24-Beautiful Day
    25-Bad
    26-With Or Without You
    [fades]
    27-[Stephen Hawking]
    28-City Of Blinding Lights
    29-[acknowledgements]
    30-Mother And Child Reunion [excerpt]
    31-Where The Streets Have No Name
    32-One


    NOTES&THOUGHTS:

    Perhaps it is fair to note that with this third mixlr-broadcast
    "bootleg"# a new dimension in audience recording has come about.
    And because it is all so new, I would like to take a little more
    time and say a little more than usual regarding what's at hand.

    In short, the idea of "mixlr" is that someone attending the concert
    has a smart phone with recording capacity and enough battery power
    + sufficient internet access to stream the audio in real-time to a
    music player located on a website (i.e., mixlr). In effect creating
    an internet radio station to which potentially (I think) the whole u2
    fan community can tune in to. And just like in the days of radio and
    tape recorders, people at home can simply record the stream and play
    them back at their convenience.
    The result is quite literally a "wall" of sound but with additional
    equalization it is possible to restore some of the original dynamics
    (e.g. "bass" by amplifying the lower frequency range)
    The main problem of these particular recordings is the amount
    of compression and additional gain that the smart phone recorders
    seem to produce in order to get as much sound as possible in the
    (still) limited amount of data that can be transmitted through
    internet. The result is quite literally a "wall" of sound but with
    additional equalization it is possible to restore some of the
    original dynamics (e.g. "bass" by amplifying the lower frequency
    range) and this, in brief, is just what I did.
    But as I started to say, this is all very new and I didn't think
    such things were even possible by the time the tour left Vancouver.
    In fact I don't even know the people who actually held their
    smart phones - or however they did how they did it! I don't even
    know what type of smart phones they use, what kind of internet
    connection they would use (4g? wifi?) or if they used some kind of
    external microphones (if only their Apple earphones with some kind
    of improvised nylon as a microphone windscreen...).
    In this sense it is all very postmodern, but I believe we never-
    theless all share the same intention of connection and togetherness.
    For me personally this last point is what U2 has been all about from
    day one: there is no "them," there is only us - and together we are
    a world in which peace has a serious chance.
    So, before I start to cry I would like to say a few more things about
    this particular recording. It is not as "surprisingly" good as the
    Chicago 1 pull from zooradio, mainly due to some more upclose (however
    not too personal) conversation and screaming in comparison to the earlier
    mentioned Chicago "mixlr" recording, including a heartfelt "Germany and
    Brasil...what's up!" On the bright side this recording contains the first
    ever performance of Lucifer's Hands which in effect makes this the perfect
    punk-rock party. In addition, the Moment Of Surrender "excerpt" leading
    "in and out" of Bad is also by no means to be sneezed at...
    With some serious re-tuning of the full frequency band, also known as
    "equalization" (e.g., I've boosted the lower frequencies quite severly
    to make the bass more audible) and applying some stereo effect, I think
    I've managed to make this recording as ZOO-able as possible.


    DOUBLE PEACE to wherever you ARE and may the ZOO be with U

    HATS OFF & CHAPPEAU 2 mysteriousdays for broadcasting this concert live and
    uninterrupted. I just hope to help you shine...!

    *IT-MUST-BE-ART*
    BIGGIRL2015


    #See, "The Joy Of Rock 'N Roll" (live at the Roxy) & "Things Don't Last Forever"
    (live in Chigaco, 1st night), exclusively availlable @u2start.

    +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

    DISCLAIMER:
    If you can sell this one in order to do some good in the world (e.g., feed
    a child, donate to charity or an African well), you have my deepest sympathy!
    DON'T CONVERT TO FLAC AND TRADE THIS OFF AS "LOSSLESS" FOR IT IS NOT...
  2. LOL... just when I was ready with all the mixing and compiling my notes, a full video/dvd recording surfaced on u2torrents. I'm not sure how that audio (recorded by the camera) compares to this audio, but I guess we'll soon find out!
  3. Thanks Joyce! I'm putting this on our show pages.
  4. this cover is amazing
  5. Thanks guys...
  6. Thanks! Great stuff.
  7. wowowowowowooow, yes I caaaan change the world
  8. Ok...I'll be honest with you guys...this reception feels really good

    It really encourages me to work on Montréal 1 & 4 tomorrow...

    ...it is all so extremly ZOO
  9. so, there are 3 concerts without bootleg til now, right?
  10. Yes, it's because I don't want to share my soundboard recordings.