"Buzzwords on this record were trashy, throwaway, dark, sexy, and industrial (all good) and earnest, polite, sweet, righteous, rockist and linear (all bad). And Berlin ... became a conceptual backdrop for the record. The Berlin of the Thirties—decadent, sexual and dark—resonating against the Berlin of the Nineties—reborn, chaotic and optimistic..."
- Brian Eno, on Achtung Baby
did you know
A local violinist, Steve Wickham, approached The Edge one morning at a bus stop and asked if U2 had any need for a violin on their next album (the War album). In the studio for only half a day, Wickham's electric violin became the final instrumental contribution to Sunday Bloody Sunday.