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National Tennis Centre, Melbourne, Australia
October 7, 1989
Sony WM D 3 > pc-62 microphones > first generation analog copy > Yamaha K-540 deck > Soundforge 9.0 > CD Wave Editor > wav. > FLAC
taper: N.N. (to respect the taper's privacy)
CD 1 (45:12)
01 Where The Streets Have No Name (5:57)
02 I Will Follow (4:05)
03 I Still Haven't Found What I Am Looking For/ Exodus - snippet - (5:42)
04 MLK (1:25)
05 The Unforgettable Fire (4:23)
06 God Part II (3:34)
07 Desire/ Not Fade Away - snippet - (4:48)
08 All Along The Watchtower/ Like A Hurricane - snippet - (5:40)
09 All I Want Is You (5:46)
10 People Get Ready - incpl. - (3:46)
CD 2 (46:02)
01 Bad/ Ruby Tuesday - snippet -/ Candle In The Wind - snippet - (8:19)
02 October (2:01)
03 New Year's Day (4:35)
04 Pride (5:25)
05 Angel Of Harlem (3:31)
06 When Love Comes To Town/ In The Midnight Hour - snippet - (4:50)
07 Love Rescue Me (4:55)
08 Star Spangled Banner/ Bullet The Blue Sky/ Whole Lotta Love - snippet - (5:17)
09 Running To Stand Still/ Waltzing Matilda - snippet - (4:34)
10 With Or Without You - incpl. - (2:31)
The photocopy of the ticket says "Upper HH 570 enter door 17". I think the recording position was:
Upper grandstand, section HH, seat 570
The recording is not complete. The taper went to the venue with two C-90 tapes in the afternoon and was able to record the soundcheck
(without expecting this before). There was only C-90 tape left after the soundcheck. To capture nearly all of the songs the tape flip
was too late and People Get Ready is incomplete. There are cuts between Bad/October, New Year's Day/Pride, Pride/Angel Of Harlem, When
Love Comes To Town/Love Rescue Me, Love Rescue Me/Bullet The Blue Sky and Running To Stand Still/With Or Without You to save some tape.
This recording has nothing to do with the "Melbourne Memoirs" recordings by Boyacrobat.
Transfer and upload in July 2011.
Audio / MP3
Bit rate: 192, bit depth: 16, sample rate: 44100, channels: 2
"I'm tired of dreaming. I'm into doing at the moment. It's, like, let's only have goals that we can go after."
did you know
The band considered releasing The Joshua Tree as a double-album that would have included B-sides. Bono was the most vocal proponent of the idea, whereas The Edge argued for the 11-track version that was ultimately released.