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the Edge: guitar
Adam Clayton: bass
Larry Mullen, Jr: drums
Nassau (Nausea) Coliseum,
April 3, 1985
runtime: 89:31 (minutes/seconds)
1: 11:00 tick tock 5:55
2: I will follow > 4:36
3: seconds 3:52
4: MLK 2:45
5: the unforgettable fire 4:46
6: wire 4:30
7: sunday bloody sunday 5:40
8: cry > electric co 7:00
9: a sort of homecoming 5:10 (end applause spliced)
10: bad medley 12:36
(including excerpts of:
Ruby Tuesday and
sympathy for the devil)
11: October > 2:10
12: new year's day 4:49
13: pride 5:12 (end applause spliced)
14: party girl 4:49
15: Gloria 5:31
16: 40 10:09 (end cuts, spliced)
audience recording probably with Sony wMD-6 walkman with unknown external mikes >
master tape, probably Maxell XLII 90 min. cassette >
Maxell XLII 90 minute 1st gen. trade copy cassette >
played on tascam 112 into soundforge (wav) >
flac (sb's aligned) > torrentially yours.
a this and that production.
do not sell this recording.
share freely, losslessly and gaplessly.
1: ELEVEN O'CLOCK TICK TOCK
2: I WILL FOLLOW
4: [MLK] UNFORGETTABLE FIRE
6: SUNDAY BLOODY SUNDAY
7: [CRY-THE ELECTRIC CO.]
8: SORT OF HOMECOMING
11: NEW YEARS DAY
13: PARTY GIRL
Special thanks to Joe Maloney for making this recording available.
Please do not "Remaster" and then re-post this recording. Please respect this request.
Audio / MP3
Bit rate: 256, bit depth: 16, sample rate: 44100, channels: 2
"We have been listening to the first three Police albums – realising that these records are minimum masterpieces. It's an influence on our album Songs of Innocence. But I think it's gonna be even more of an influence on our next record Songs of Experience."
- Bono, 2016
did you know
In 1999, a bag holding personal papers and a laptop computer containing lyrics for the ATYCLB album was taken from Bono's car. Bono offered a reward of £2,000 for the return of the computer. An Irish man returned the laptop after having bought it for £300 thinking it was from a reputable source. He realised it was Bono's when he saw a picture of the singer's child Elijah Bob on the screen, prompting him to contact U2's management.