Remaster shared with permission from hannahb (on u2torrents)
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"NO ONE GETS HUNTED"
(cleaned up remaster)
Recorded by Mr. Foo <--> The Tootsiehead ^
Remastered (with permission) by BIGGIRL
^Location: General admission floor at front of mixing desk.
LINEAGE: SP-CMC-8 > SP-PREAMP > (line in) SONY PCM-M10
> Audacity (track splitting) > Xact > FLAC >
[remaster] > iZotope RX 5 (De-click & Spectral Repair -
manual approach) > PristineSounds (volume adjustments, edit
& alt. track split) > TLH > .flac (7) > foobar (tags)
TRACK LISTING:
01-[PA intro: "The Whole Of The Moon"]
02-Sunday Bloody Sunday
03-New Year's Day
04-Bad
05-Pride (In The Name Of Love)
06-Where The Streets Have No Name
07-I Still Haven't Found What I'm Looking For
08-With Or Without You
09-Bullet The Blue Sky
10-Running To Stand Still
11-Red Hill Mining Town
12-[Bono talk]
13-In God's Country
14-[Bono talk]
15-Trip Through Your Wires
16-[Bono talk]
17-One Tree Hill
18-["The End of the World" (excerpt*)]
19-Exit
20-Mothers Of The Disappeared
[fades]
21-[intro: "Miss Syria"]
22-Miss Sarajevo
23-[luminous icons]
24-Ultra Violet (Light My Way)
25-[One campaign]
26-One
27-Beautiful Day
28-Elevation
29-Vertigo
*excerpt from: Trackdown (TV-series);
S1 e30, "The End of the World" (May 9, 1958).
#REMASTER notes:
I think this is a wonderful recording from the floor of the Raymond James Stadium
with an excellent sound. The SP-CMC-8 cardioids were sufficiently pointed towards
the speaker stacks and also picking up the crowd atmosphere nicely.
Obviously also picking up clapping, screams, whistles and near-by chat but, once
again, the iZotope RX05 was able to manage the claps quite nicely and let me take
control over the screams and whistles. Near-by chat was harder to eliminate, but
sometimes it seemed to have worked pretty well. Nothing too disturbing though.
Unfortunately at times some air flow does take a little hold of the mid-range
and presence, causing a little instability in clarity (e.g. Pride, In God’s Country).
But perhaps I’m making it sound more serious than it actually is.
Overall this is just an excellent audience recording of a very strong JT2017 show!
No need to apply equalization or compression of any sort; just some volume
adjustments here and there for a smooth listen.
I asked hannahb (on u2torrents) for permission to share and all was OK.
Thanks for that!
BIGGIRL
Nov. 9, 2017
ORIGINAL NOTES:
"Traffic from Orlando to Tampa on I-4 was awful on the way to the concert.
A 1.5 hour trip took about 3 hours. Not good. It also was raining for most,
if not all, of the way over. I also heard a terrible story about another
taper who got busted and his gear confiscated at the Miami show a couple of
days earlier. All of this wasn’t making for good karma in the moments before
the show started. But, an enormous rainbow appeared as the rain stopped just
before show time. I got my gear in no problem, and all was well. Another
amazing show by U2, perhaps better than in Miami where Bono seemed a bit
taken aback by the heat and humidity.
This is a different recording than Kevdogg’s. His was from section 207.
I was in the general admission floor area at the front of the mixing desk area.
Let me know what you think of the quality.
And as always, trade freely and never sell."