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The band was completely in fire at that night. Excellent show , almost zero mistakes and such a passion coming from the band. Great suprises , solid versions of old tunes and strong performances of new songs !
Sounding even better than real thing ! Recording: Audience microphone - 3.5 stars
Crowd was in good mood , nobody was seating on their seats. Clapping even during Raised By Wolves ( and sing it along) , singing along old hits and jumping all the time !
One of the greatest show's on this tour and in my life. Raw energy , great passion , great view , absolutely wonderful performance ! And such a sweet suprise for fans from Poland - New Year's Day !
So , why only 4.5 stars rating ? In my opinion sound on the seating site was not the best ever. Some problems with Larry's drumset and Adam's bass sound. I don't know but these instruments were too much in the backgroun i think . But still awesome gig !
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Sony PCM-M10 > OKM II rock microphones > A3 adapter > Soundforge 9.0 > CD Wave Editor > wave > FLAC
recording position: GA
01 Intro (4:58)
02 The Miracle (Of Joey Ramone) (5:00)
03 Gloria/ Van Morrison's Gloria - snippet - (4:47)
04 Vertigo (3:36)
05 I Will Follow (7:05)
06 Iris (Hold Me Close) (6:09)
07 Cedarwood Road (4:38)
08 Song For Someone (4:33)
09 Sunday Bloody Sunday (5:26)
10 Raised By Wolves/ Psalm 23 - snippet - (4:27)
11 Until The End Of The World/ Love And Peace Or Else - snippet -/ Words - snippet - (5:53)
12 intermission (4:09)
13 Invisible (4:25)
14 Even Better Than The Real Thing (4:34)
15 Mysterious Ways/ Burning Down The House - snippet - (5:47)
16 Elevation (4:53)
17 New Year's Day (5:14)
18 Every Breaking Wave (4:47)
19 October (2:12)
20 Bullet The Blue Sky/ Ode To Joy - snippet -/ 19 - snippet - (7:36)
21 Zooropa (2:06)
22 Where The Streets Have No Name/ California (There Is No End To Love) - snippet - (5:18)
23 Pride (In The Name Of Love) (4:23)
24 With Or Without You (5:18)
25 encore break/ Stephan Hawking speech (3:37)
26 City Of Blinding Lights (5:49)
27 Beautiful Day (7:38)
28 Mother And Child Reunion (1:02)
29 One/ Invisible - snippet - (5:16)
Audio / FLAC
Bit depth: 16, sample rate: 44100, channels: 2
Audio / MP3
Bit rate: 192, bit depth: 16, sample rate: 44100, channels: 2
Mercedes-Benz-Arena (formerly O2 World)
Roland CS-10EM binaural omnis > Tascam DR-05 (recording at 24-48, 80 Hz low pass filter) > edit (track splits and tagging).
01. The Miracle (Of Joey Ramone)
04. I Will Follow
05. Iris (Hold Me Close)
06. Cedarwood Road
07. Song For Someone
08. Sunday Bloody Sunday
09. Raised By Wolves
10. Until The End Of The World
13. Even Better Than The Real Thing
14. Mysterious Ways
16. New Year's Day
17. Every Breaking Wave
19. Bullet The Blue Sky >
20. Zooropa >
21. Where The Streets Have No Name
22. Pride (In The Name Of Love)
23. With Or Without You
24. encore break
25. City Of Blinding Lights
26. Beautiful Day
27. Mother And Child Reunion > One
Recorded from the floor. The sound on the floor was pretty good, much better than I had expected after hearing recordings and reports from shows earlier on the tour. I think the P.A. consists not only of the big hanging stacks directed at the reserved seats, but also of smaller P.A. elements pointed down at the GA area.
Bono was in good voice (or so I thought), Edge made a few mistakes, Larry was a powerhouse. That physiotherapist I heard he works with before every show now must be very good. Bullet The Blue Sky was really fresh, I loved the new line about fighter planes/private planes. That song is indestructible, and every tour, they somehow bring something fresh to it. Amazing.
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"Playing Croke Park in 1985 was probably the high point of the Unforgettable Fire tour, because we really had done it. This wasn't a band that was doing OK, this was a band that was topping the charts and had broke America and the world, coming back to play in their home town, in the centre of their city."
- The Edge
did you know
Starting from Summer 2007 to Summer 2008, U2 had written and recorded 50-60 songs for a new record with Brian Eno and Daniel Lanois. 11 of these were released on 2009's No Line On The Horizon.